Wow! I agree!
Dec. 11th, 2008 01:11 pmYes, I have seen every. single. one. of these movies. It's called "I was a teenager when The Matrix came out." So, yes, I watched every movie Keanu was in at that point. Exceptions: I didn't get through My Own Private Idaho or Little Buddha. The first because I was kinda confused by the gay hooker aspect. The second because IT WAS UNWATCHABLE. I tried watching with the sound off, and I still couldn't do it. I had a friend who made me look like I wasn't obsessed with it by comparison. And that's saying something given that a guy in my math class in high school saw me at the senior dance at the end of college and introduced me to his girlfriend by mentioning how I had pictures from The Matrix contact-papered to all my binders. So while my friend enabled me, I did watch all these of my own free will.
And I completely agree with their assessment. I loved Johnny Mnemonic ages before The Matrix. I had a poster of Keanu from that movie that had some stupid phrase on it like "MEET THE ULTIMATE HARDDRIVE." (Shut up!) But yeah, I agree that it was an awful movie now, for all that I had a dozen and one quotes from it written out all over the margins of notes and shit. I used to do that a lot--write down quotes I liked from movies on paper. This led to me writting out, from memory, the entire dialogue from The Matrix. In a related story, the ONLY time I ever got in trouble at school--any school--was because I got caught typing up the dialogue from that movie on a typewriter in a restricted area of school where my friends and I liked to hang out during lunch. I then had the chutzpah to go to an assisstant principal and demand the paper back, mostly out of humiliation at the idea that he might read it.
(This may seem like nonsense, but remember that The Matrix came out around the time of the Columbine shootings, so anything that made me look like a crazy person was not a good thing to have in the hands of an administrator.)
Back to the list: I have come around on Constantine, honestly. I was vaguely disappointed in it when I saw it, having read some Hellblazer at the time. But if you get past that, it's not so bad. And you couldn't find a better devil than Peter Stormare. Well, not unless it was John Glover, but it's a different kind of "better." Peter Stormare is the kind of Satan you imagine the real Satan would be--creepy, vaguely European, leaves you feeling like you've been slimed...
The Lake House was fluff, but I think Keanu and Sandra Bullock still had great chemistry. Then again, I think Speed is one of the best action movies of all time, so I'm biased. But The Devil's Advocate was pretty good, daring at the right times, and came out long before "Al Pacino tutors some youngin'" became a separate genre of film. Dracula--the less said, the better. Chain Reaction was terrible, but it did have Rachel Weisz, who's way hotter than Keanu plus she has an accent, so that got me through the movie.
The Gift is a movie that everyone should really see because it's this nexus of improbabilities. Keanu is terrifying in it. Katie Holmes is watchable. Cate Blanchett actually seems small and mousy instead of undeniably fabulous as we all know she is in everything ever. Giovanni Ribisi was so heart-breaking. Gary Cole, Greg Kinnear, Hillary Swank--it was just a surpassingly awesome bit of acting and writing from absolutely everyone involved. I loved it. And I loved that it proved Sam Raimi is more than just "that guy," the one that does Xena and Evil Dead and Spider-Man. I love those things, some more than others, but they don't get the respect they deserve. The Gift, though, no one can argue with.
About the only thing I disagreed with was A Scanner Darkly. I didn't love it, but like Constantine, I thought better of it after a little time away. Robert Downey Jr. (as if anyone needed telling at this point_ was amazing in it. The rotoscoping made his acting choices seem even more authentically twitchy. The technique also improve upon some of Keanu's stillness. I mean, it's a running gag about how emotionless and flat he is in movies, but that's not true. He's very animated in some movies (Bill and Ted's or Speed), but when he gets it into his head that he needsd to control his acting, he just buttons up and not much gets out. A Scanner Darkly plays up every little twitch you don't see him making, normally, and it's pretty effective. Shoot me over Winona Ryder, though. Blargh.
Speaking of Bill and Ted's: MOST EXCELLENT. I grant that Bogus Journey was not as good as the first movie, but it was still really awesome in its own right. And just as quoteable! "Dude, we're in heaven, and we just mugged three people!" "I know, we better get out of here before we ruin it for everybody else."
And I completely agree with their assessment. I loved Johnny Mnemonic ages before The Matrix. I had a poster of Keanu from that movie that had some stupid phrase on it like "MEET THE ULTIMATE HARDDRIVE." (Shut up!) But yeah, I agree that it was an awful movie now, for all that I had a dozen and one quotes from it written out all over the margins of notes and shit. I used to do that a lot--write down quotes I liked from movies on paper. This led to me writting out, from memory, the entire dialogue from The Matrix. In a related story, the ONLY time I ever got in trouble at school--any school--was because I got caught typing up the dialogue from that movie on a typewriter in a restricted area of school where my friends and I liked to hang out during lunch. I then had the chutzpah to go to an assisstant principal and demand the paper back, mostly out of humiliation at the idea that he might read it.
(This may seem like nonsense, but remember that The Matrix came out around the time of the Columbine shootings, so anything that made me look like a crazy person was not a good thing to have in the hands of an administrator.)
Back to the list: I have come around on Constantine, honestly. I was vaguely disappointed in it when I saw it, having read some Hellblazer at the time. But if you get past that, it's not so bad. And you couldn't find a better devil than Peter Stormare. Well, not unless it was John Glover, but it's a different kind of "better." Peter Stormare is the kind of Satan you imagine the real Satan would be--creepy, vaguely European, leaves you feeling like you've been slimed...
The Lake House was fluff, but I think Keanu and Sandra Bullock still had great chemistry. Then again, I think Speed is one of the best action movies of all time, so I'm biased. But The Devil's Advocate was pretty good, daring at the right times, and came out long before "Al Pacino tutors some youngin'" became a separate genre of film. Dracula--the less said, the better. Chain Reaction was terrible, but it did have Rachel Weisz, who's way hotter than Keanu plus she has an accent, so that got me through the movie.
The Gift is a movie that everyone should really see because it's this nexus of improbabilities. Keanu is terrifying in it. Katie Holmes is watchable. Cate Blanchett actually seems small and mousy instead of undeniably fabulous as we all know she is in everything ever. Giovanni Ribisi was so heart-breaking. Gary Cole, Greg Kinnear, Hillary Swank--it was just a surpassingly awesome bit of acting and writing from absolutely everyone involved. I loved it. And I loved that it proved Sam Raimi is more than just "that guy," the one that does Xena and Evil Dead and Spider-Man. I love those things, some more than others, but they don't get the respect they deserve. The Gift, though, no one can argue with.
About the only thing I disagreed with was A Scanner Darkly. I didn't love it, but like Constantine, I thought better of it after a little time away. Robert Downey Jr. (as if anyone needed telling at this point_ was amazing in it. The rotoscoping made his acting choices seem even more authentically twitchy. The technique also improve upon some of Keanu's stillness. I mean, it's a running gag about how emotionless and flat he is in movies, but that's not true. He's very animated in some movies (Bill and Ted's or Speed), but when he gets it into his head that he needsd to control his acting, he just buttons up and not much gets out. A Scanner Darkly plays up every little twitch you don't see him making, normally, and it's pretty effective. Shoot me over Winona Ryder, though. Blargh.
Speaking of Bill and Ted's: MOST EXCELLENT. I grant that Bogus Journey was not as good as the first movie, but it was still really awesome in its own right. And just as quoteable! "Dude, we're in heaven, and we just mugged three people!" "I know, we better get out of here before we ruin it for everybody else."
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Date: 2008-12-11 06:34 pm (UTC)Of those I've only seen Matrix, Constantine and the Bill and Ted's. I think Johnny Mnemonic is way down my Netflix queue somewhere. I totally agree on the assessment of Speed. That's the thing with Keanu--I won't defend his acting, but man is he cool.
I know I rented The Gift at some point, when I was watching Sam Raimi's catalog, but for some reason didn't watch it. Don't remember why.
I left the theater to pee during the Grim Reaper twister scene in Bill and Ted! That was the last time I ever bought a drink for a movie. I always thought Excellent Adventure was a better and more consistent movie, but Bogus Journey has higher highs and lower lows. And led me and my friends to laugh any time anyone asked for a fork. ("Full on robot chubby!")
Forget writing out dialogue, I used to program it into my calculator.
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Date: 2008-12-11 06:45 pm (UTC)And yes, Speed rocks. It's also perfect casting--just like Point Break, as long as he's playing some less-than-clever jock he's fine.
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Date: 2008-12-11 06:57 pm (UTC)I think I actually first saw Keanu Reeves in Dangerous Liaisons. We watched it 5 times and ate a cheesecake (or two) and had a few bags of Doritos and a case of coke and a huge jar of pickles. probably also some pizzas (this was a three day long slumber party when I was 14). Good memories. All of my friends were cooing over how cute he was, and I was just transfixed by Uma Thurman's cleavage (she wasn't scary skinny yet). LOL.
Anyway, I am still never very impressed with his acting, but have at least enjoyed several films he was in.
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Date: 2008-12-11 07:52 pm (UTC)Oh, I can, but you'll know that you're really morally superior to me. No, wait, you've seen Boa vs Python. Too bad!
I know I rented The Gift at some point, when I was watching Sam Raimi's catalog, but for some reason didn't watch it. Don't remember why.
Damn good movie. If you can, rent it again, give it a chance. I loved every part of that movie. It's one of those movies that feels, despite the drama and the supernatural aspect, really authentic. I won't say more than that, just that it feels like a real place, real people, with all their ugliness and all their beauty.
I always thought Excellent Adventure was a better and more consistent movie, but Bogus Journey has higher highs and lower lows. And led me and my friends to laugh any time anyone asked for a fork. ("Full on robot chubby!")
Heh!
Forget writing out dialogue, I used to program it into my calculator.
Forget writing out dialogue, I wrote FANFICTION on my calculator. Which I have since lost. Holy hell, I hope it doesn't still have my name on it...
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Date: 2008-12-11 07:57 pm (UTC)Give A Scanner Darkly a shot. It's slow and a little meandering, but I liked parts of it a lot. And, like I said, RDJ: always excellent.
Point Break...wow, that takes me back. Oh, the Swayze.
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Date: 2008-12-11 08:11 pm (UTC)no subject
Date: 2008-12-11 08:18 pm (UTC)I can't even remember Chain Reaction, but I'm almost sure I saw it — except that I don't remember Rachel Weisz, so maybe I'm confusing it with one of those other awful similar movies that came out at the same time.
I have a weak spot for The Lake House.
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Date: 2008-12-11 08:29 pm (UTC)Yeah, that was a mistake.
Of course, our other option was Starship Troopers, which wouldn't have been much better.
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Date: 2008-12-11 08:29 pm (UTC)The Lake House was sweet. I confess to enjoying it for what it was. And, like I said, Keanu and Sandra Bullock had great chemistry. She was almost back in While You Were Sleeping territory when it came to her vulnerability, but it was empathetic, not pathetic.
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Date: 2008-12-11 08:31 pm (UTC)no subject
Date: 2008-12-11 08:49 pm (UTC)no subject
Date: 2008-12-11 08:54 pm (UTC)Then again, I'm still friends with the girl, so there's a limit to how bad it could have been.
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Date: 2008-12-11 08:54 pm (UTC)no subject
Date: 2008-12-11 08:57 pm (UTC)I wonder whatever did happen to that kid? I have this vague idea that he turned into a total stoner (up from "casual user" by rumor by the time I left).
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Date: 2008-12-11 09:00 pm (UTC)no subject
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Date: 2008-12-11 09:10 pm (UTC)no subject
Date: 2008-12-11 10:42 pm (UTC)I am not sure where Molly appeared first - the novel Neuromancer, or the short story Johnny Mnemonic.
If you have never read Johnny Mnemonic, it is a COMPLETELY different, introspective tale. For one thing, Johnny never finds out what data is in his head. It doesn't matter.
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Date: 2008-12-11 11:13 pm (UTC)In seventh grade, I think it was... for a class that dealt with Buddhism.
Might've been ninth grade actually. But that thing is /weird./
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Date: 2008-12-11 11:16 pm (UTC)Guess I don't need to see it NOW... :D
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Date: 2008-12-11 11:18 pm (UTC)no subject
Date: 2008-12-12 12:41 am (UTC)no subject
Date: 2008-12-12 12:42 am (UTC)no subject
Date: 2008-12-12 12:42 am (UTC)no subject
Date: 2008-12-12 12:44 am (UTC)no subject
Date: 2008-12-12 04:03 pm (UTC)As an amusing note: When I made the comment yesterday about finding the girls I dated in high school on Facebook, at about the same time one of them was friending me. Turns out she's happily married to another woman and working on her PHD.
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Date: 2008-12-12 04:08 pm (UTC)no subject
Date: 2008-12-12 04:51 pm (UTC)-Must have bushy eyebrows.
-Must kill people in a serial manner.
-Must like classic action movies.
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Date: 2008-12-12 04:54 pm (UTC)no subject
Date: 2008-12-12 08:50 pm (UTC)I have yet to watch Johnny Mnemonic, but there is a Japanese cut of the film that apparently makes a whole lot more sense. Gibson says it's still not the movie he and the director set out to make, but it's a lot closer.
Constantine is fun. I wasn't a fan of The Devil's Advocate, except for Charlize Theron, who was way more committed to it than it deserved.
The Gift I enthusiastically half-agree with you. I think the actual plot is kind of terrible and predictable, but the acting and directing is really phenomenal, especially Reeves, who gives one of his best performances. The scene where he has the gun and Ribisi is trying to provoke Reeves into shooting him is awesome.
I appreciated the visuals of A Scanner Darkly but it was too dense of a movie for me to even passably follow the first time. I need to see it again, and my appreciation of it will probably grow.
And yeah, the first Bill and Ted is supremely excellent. The best thing about it is how pure the characters of Bill & Ted are. There's never the slightest bit of irony about Bill & Ted -- time traveling is most excellent, failing is bogus, and nothing else matters. The sequel feels more manufactured, but the stuff with Death is almost as good as the original. Mainly, I miss the spirit of the original; the rushed production and just the process of it all can be felt when watching it.
If you yearn for more of Bill & Ted, you should absolutely track down Freaked, a movie written by and starring Alex Winter and featuring an uncredited Keanu Reeves as Ortiz the Dog Boy (plus William Sadler as the most evil executive in film history).
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Date: 2008-12-13 12:19 am (UTC)I thought it was clear, just not great.
I wasn't a fan of The Devil's Advocate, except for Charlize Theron, who was way more committed to it than it deserved
Translation: she was willing to get nekkid.
As for the rest: I won't argue that The Gift is the most original thing ever, but I do feel that the story was "right." I can't explain it better than that. Just that that was how it had to happen. I liked the conflicts of interest, the unpleasantness of the truth being brought out against some people's wills (Keanu's character having to admit to being a wife-beater and a philanderer; Cate Blanchett having to admit that this awful person isn't the killer even though she's safer if he's locked away).
I like that idea that Bill and Ted are free of irony. There is a certain sense of innocence about them that leaves them free to their experiences. I like that.