trinityvixen: (epic fail)
I won't even bother to pretend I can do justice to just how bad the latest promo stills of X-Men: First Class are. So go read [livejournal.com profile] glvalentine 's vastly superior take.

I disagree with her on only one point, and that is that I think the promo photo of Kevin Bacon and January Jones looks amazing. Sure, it may be ill-advised in the sense that I don't really get "mutant freedom fighters struggling to out themselves to a cold and lonely world" from that shot. But Their costumes are faaaaaabulous. January Jones is so blandly pretty but well shaped, she's like a drag queen's wet dream. (Aside from Lady GaGa.) The catsuit suits her better than the Wonderbra (now with cape!) she was wearing in the last shot.

And Kevin Bacon with some sideburns and an ascot? If that's wrong, I don't ever want to be right. In fact, I would like to live in this world, where PVC clothing and antiquated notions of masculinity go hand-in-hand beside each other on a couch in the round. Let's go there and never go back to Stately McAvoy Manor. Please?
trinityvixen: (clock)
I admit to being totally excited about Captain America, definitely more than that dated comic character's movie update deserves. I know it won't be "good," but I've been more excited about other movies before with bigger letdowns than Captain America could ever have. ::Sobs over Tron Legacy some more:: 

Point is, excited as I am, I'm not stupid. I'm also not really going into it thinking "This could be the next Iron Man!" Imma gonna get me sommathis:

Am I shallow? FUCK YES. But I know what I'm in it for. I'm not in it for good. I'm in it for beefcake. (Ooh, and 1940s lady hair. I love me some victory rolls!)

But even with my shallower-than-a-drop-of-water-hitting-a-high-mountain level of interest, I had to pause when I realized that the man directing Captain America directed last year's lamentably bad The Wolfman. Now, I can forgive a lot of what was wrong with that movie because it was clearly a case of studio meddling and delays leading to disaster. Fifteen different people walked out on that thing (and I'm not just talking about audience members)--people who were supposed to do pretty major things, like direct, act in, or score the damn film. Still, a film that manages to waste Hugo Weaving in what may be the only time he and Anthony Hopkins could have had a Ham-Off (TM [livejournal.com profile] glvalentine ), is doing something seriously wrong. That someone has to be the director because the Wachowski brothers couldn't direct the third Matrix movie to save their lives, but Hugo Weaving still managed to rampage the shit out of that funk. The only one stopping Hugo Weaving from EPIC HAM is someone other than Hugo Weaving. (Because Hugo Weaving, dramatic actor, was long banished to indie cinema of Australasia by Hugo Weaving, Actor Capable of Set Demolition Even When Only Present As Voice Actor.)

This interview about why The Wolfman isn't The Wolfman's director's fault IS NOT HELPING. Basically, he says that whatever Captain America is or is not, it is not The Wolfman, which is like saying while your movie may not be Citizen Kane, it is still better than those commercials Orson Welles did at the end of his life. "I only did The Wolfman 'cause I was 'po. Now Marvel has showered me with money to make this movie, iz allllll goooooood, baby."

This would be the same Marvel Studios that paid Robert Downey Jr. less than a million dollars (reputedly) for the first Iron Man. That balked at paying Jon Favreau any more money for Iron Man 2 despite the fact that he delivered them a hit that cost them next to nothing. Whose continued refusal to pay talent what it's worth has led to Favreau being ousted as director of Iron Man 3. (And led to the replacement of Terrence Howard by Don Cheadle, but that's fine 'cause I loves me some of the Cheadle.) The studio that almost wouldn't take JOSS WHEDON, HE OF THE INCREDIBLY RABID AND LOYAL FAN BASE, for The Avengers because of his price.

Either this director got $5 to make The Wolfman, or the previously tight-fisted Marvel got an accounting sphincter-loosened. And I'm not going to lie--I could believe that The Wolfman was made for $5. They could have just filmed Anthony Hopkins drunk on his weekend in his dirty old mansion, for all I know. Judging by the state of Benecio del Toro's eye bags, ditto. Hugo Weaving, it is assumed, shows up places in period or fantasy costumes all the time. It's not inconceivable that he raided Hopkins' place dressed like a Victorian dandy.

That means this Joe Johnston person is, like, SUPER PSYCHED about his budget of $15. Must remind myself: beefcake. As long as there is beefcake...
trinityvixen: (horror)
Because I have just seen the trailer for BloodRayne 3, and I have never been so sorry I ever demanded that a film franchise based on a video game actually use the plot of the video game.

As a refresher, here's what I said at the time:

Why move Rayne backwards in time to some indeterminate middle ages-y type land? What's wrong with having it set in the time frame of the first game and have Rayne fighting evil zombie Creoles and Nazis? I mean, at least you can get behind her slaughtering Nazis, right? I bet that's what the development team thought when they made the game...

Then I saw this trailer:


I have the most incredible of bad tastes in my mouth right now. I get why Nazis are your villains, in an Uwe Boll script where the potential to mock the shit out of that concept was a bad, bad idea. (And not just because the "Germans" sound like Americans.) You can totally make Nazis your villains in a genre film, but they have to be over-the-top, scenery-chewing, take-the-piss-out-of-the-Third-Reich crazy villains. Like the zombie Nazis in Dod Sno. (Hee, I love that movie!) It's just so...icky to see some talentless hack like Uwe Boll--who thinks he's making something serious--throw them into a third BloodRayne movie.

I have to go rinse my brain with bleach.

*Oh, I still object to the first BloodRayne movie, it's just that when I actually watched it, it had the dubious honor of being not the worst vampire movie I ever saw. It also had the honor of having the worst wig in any movie until that title was usurped by Ian Ziering in Aztec Rex.

The worst vampire movie I ever saw, at the time, was Underworld: Evolution. I even had a face-off with the two movies, Underworld: Evolution and BloodRayne and, for the first and last time ever, an Uwe Boll movie was not the worst one in a line-up. At this point, I've seen several worse movies than either of them, but it must be a special victory for the overpriced Underworld movies that they've managed to beat BloodRayne after all this time.** Then again, they still have yet another ill-advised sequel or prequel or something rumored in the works, so there's always more time in this race to the bottom.


**Cause they totally felt the burn when I harshed all over them. You know it.

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