trinityvixen: (blogging from work)
More complaining about companies: Fandango's website loads for one tantalizing second in Firefox, and then it craps out as it tries to load some one or another stupid Flash thing. There's a whole problem with Adobe products in general on this browser that I need to fix. I can't get PDFs any more either.

...which is a long-winded way of saying that I don't have movie times for us for THE MAY MOVIE XII (TM [livejournal.com profile] kent_allard_jr). Oh, I figured out to go to Safari, but they still don't have times for any theaters I'd go to except for Kips' Bay. At this point, the crazies buying really early may have camped those places out anyway. NEXT WEEK, first thing, I'll be checking movie times. As far as planning goes, assume the movie will start 8:30-9 pm-ish, and please do come meet me in line an hour before hand. I'll be there. I may even be there with my paper Thor helmet on (DON'T JUDGE ME).
trinityvixen: (blogging from work)
I'm lumping together the two "actually good" categories of movies I saw in the theater because, really, after posting about the so-bad-they're-brilliant movies, I've just lost a lot of the oomph to keep going. So here we are, two weeks into 2012, finishing off my remembrances of 2011.

2011's Actually Good Movies

Lots of discursion, needs a cut. )

So those were the movies I deemed good, subjectively or objectively, and you're free to disagree with me as you please. I don't have real dogs in any of those fights, though I suspect I won't have to defend myself overmuch. This next list, though, are movies that I foresee going into heavy rotation in future--go-to new classics and favorites. Be gentle with me on these?

2011's New Favorites:

Love it or leave it! )
trinityvixen: (fangirl)
AVENGERS TRAILER. TOO EXCITED TO MAKE GOOD ENGLISH.

Ahem. Okay, I'm not joking when I say I'm elated. I'm still riding that adrenaline high of excitement, despite the fact that there seems to be plenty of space for criticism of that trailer alone. Another time, perhaps. BECAUSE I JUST SAW AN AVENGERS TRAILER AND IT HAD THOR AND IRON MAN AND CAPTAIN AMERICA AND 'SPLOSIONS AND NINE INCH NAILS MUSIC AND I CANNOT BE RATIONAL RIGHT NOW.

(MaymovieMaymovieMaymovieMaymovie)
trinityvixen: (got nothing)
In all seriousness, yesterday, one of our post-docs, S, said I was a hipster. He said that I had told him as much. Buh-whaaaaat? Obviously, there is no way I would ever, ever say that, even as a joke. Today, in talking about it again, two other people gave him the O.o face as well, including A, whose response was pretty goddamned vehement. S maintains that he used to hang out with hipsters in Cincinnati, so he knows from hipsters. I came up with many defenses against my supposed inclusion into hipster-dom, but probably the best was this exchange.

S: "So what are hipsters like, if not like you?"
Me: "Let me put it in terms of movies: hipsters like movies in languages nobody speaks. I liked Thor."

This caused another post-doc to splutter loudly at his desk and set off a round of discussion about why or why not Thor was a good movie. At least I'm not defending myself against being a hipster any more!!!

Also, this reminded me that I needed to pre-order Captain America. Which I have. Come to me, sweet, sweet Blu Ray!!
trinityvixen: (somuchlove)
The internet used a fan syllogism to freak me the fuck out last week. That syllogism:
1) Clark Gregg's Agent Phil Coulson is a much beloved character that ties together the disparate Marvel fim franchises.
2) Joss Whedon, who is directing Clark Gregg (among others) in The Avengers, is known for brutally killing off beloved characters in franchises.
3) Ergo, Joss Whedon will kill off Clark Gregg's character.

Now, it is possible that some of you don't feel the Agent Coulson love. You're wrong, but I acknowledge your existence. (Unlike, say, my willingness to acknowledge those of you females in denial about Thor's hotness. You are all faries, unicorns, trolls, whatever, far as I'm concerned.) Clark Gregg is nothing short of adorable and is a breath of fresh air and pragmatism grounding the otherwise fantastical movies in which he has appeared. (Which is saying something given how literally sky-high Thor and Iron Man can get.) He's smarmy and fun and smart, and, besides that, he serves a useful and practical role without usurping movies away from their respective stars. Joss Whedon is smart enough to love that about his character, which doesn't necessarily mean he wouldn't then immediately kill that character off, which is why I was freaking out.

Luckily, however, Clark Gregg is easily as (if not more) charming as his fictional counterpart and has reassured us all that he's going to be around at least until The Avengers 2: The Search for More Money. In this interview, he manages to a) sound like a fanboy of the actors with whom he works, b) present himself as SRS AUTEUR, c) pretend to spoil you for events that probably won't happen in The Avengers (OR WILL THEY?), and d) completely make me love him even harder than I did before. That's it, Clark Gregg, I'm buying all your movies. I didn't even like Choke that well, but you have sold me. (Plus there's a chance he'll get residuals on that. Not so likely for the Marvel movies, I'm guessing.)
trinityvixen: (fangirl)
Without a doubt, our 2012 May Movie is going to be The Avengers. (Warning: following that link to the IMDB, of all places, may potentially spoil you for...something. The internet is still debating what it might mean. If you care, you can read this post to find out what the spoiler even is, since I assume most of you wouldn't know you were spoiled even if you saw it. If you prefer to stay unspoiled, by all means, go to the IMDB and ignore that last link. Also, this is where you shout "NEEEEEEEEERDS" at people on the internet. Just saying.) In preparation for that most momentous event, about which I am already unduly excited and they haven't even finished primary filming for the movie, I have had an idea. I want to do a possibly monthly movie watching series leading up to The Avengers with screenings of each Avenger's title film. (Or, in the case of Iron Man, films.) I'm posting this to gauge interest. The best way to do that? POLL! It is an extremely short poll, not to worry.

Would you be interested in screening Marvel movies in anticipation of The Avengers?
1) With you? HELL TO THE YES.
2) It may be uncomfortable sitting next to you during Thor, but otherwise yes!
3) I may be in for one or two of the movies.
4) I don't think this is my cup of tea.

The order in which we watch the movies will follow, roughly, the in-universe timeline of the movies. That means we'd watch Captain America first, then Iron Man, then The Incredible Hulk, then Iron Man 2, and then Thor. There are some who could make the case that Thor happens concurrently with Iron Man 2 (Agent Coulson leaves that movie midway through to show up in a clip after the credits that itself takes places midway through Thor). There is also no absolutely certain way to place to The Incredible Hulk except that it has to take place after Iron Man but before The Avengers as its only connection to movie-universe continuity is Tony Stark's cameo in the credits, where he is pitching General Ross on the Avengers initiative, which would suggest it took place after Iron Man 2, when Tony is more on board with that, but he's known about it since the post-credits scene in Iron Man. Regardless, I am making the executive decision here to use the movie release schedule to call this thing, and since The Incredible Hulk came out between the Iron Man movies, we'll say that the post-credit scene is a post-Iron Man, pre-Iron Man 2 event, thus putting The Incredible Hulk between them in the roster. Plus, it means we don't spend four hours in a row with Tony Stark. (You want to pace yourself where exposure to exteme assholishness is concerned.) What say you, friends? Are you with me?
trinityvixen: (fangirl)
I shouldn't have this much to say about Thor. At least this isn't about Thor really?

After the debacle that was shoe-horning in Black Widow into iron Man 2 and all the Avengers stuff that Jon Favreau clearly wanted nothing to do with, I was, despite my abiding love of Clark Gregg as Agent Coulson (who I think is way more interesting than Samuel L. Jackson as Fury), quite done with the crossover stuff to a degree. I knew that there would be some Avengers stuff in Thor, especially a much talked-about cameo by spoiler! ). The aspect of a cameo, in particular, annoyed me because it would either be a throwaway scene that stopped the momentum entirely or would be a literally nothing scene where you couldn't tell who or what you were supposed to be excited about.

As it turned out, the cameo was more the latter than the former, but it worked for me. It was just significant enough that you went, "Wow, we seem to be more involved with this one guy than we have any of the other faceless SHIELD agents," and no more involved than that. If you didn't know who it was, you didn't really notice. This is in direct contrast to the very heavy presence of SHIELD in the movie. Some people felt that it was still being studio-mandated or whatever into being. I think that setting up Agent Coulson as a means to throw Thor and his human companions in together a little more firmly really helped instead of hurt the film.

A.O. Scott's review was extremely negative despite the fact that he, for the most part, conceded that the movie was good. It's funny because he was especially upset that the movie was good and it exists, in part, to be a prologue to the Avengers movie. There's a point to be made there, that this movie, however good or bad it may be, is part of a money-making scheme that obligates you to return for more later to get the entire payoff. I understand that, but that's more a criticism that should be lobbed at a not-great movie that boosts its popularity by demanding that you see it in order to understand what comes later (Iron Man 2) versus one that is good and has some elements that will set up a later movie (but doesn't require that you see it for something else). Look, Marvel made its bones on its crossovers, but people liked those crossovers. Yes, it's a crass commercial calculation, but if it also pleases the audience, it isn't just about money.

All this is a long way of saying that my antipathy towards the advertising for The Avengers has been mostly dissipated. In fact, I think I threw myself firmly in the opposite camp and now I want alllllll the franchises to go into a blender. I think I, in all seriousness, endorsed an Ocean's Eleven/The Fast and the Furious crossover. I would love to see Vin Diesel and George Clooney plot a heist together. For real.
trinityvixen: (win!)
Thor was better, by far, than I could have imagined. I was completely taken aback at how it managed to balance being so funny with being so completely serious, and captivatingly so. I hope Kenneth Branaugh is proud of himself. He did actually manage to meld an almost assuredly mindless action film with something possessing more gravitas in order to generate a popcorn flick that still made you feel ways about stuff.

A lot of credit must be given to the leads, Chris Hemsworth and Tom Hiddleston. "What is my motivation?" may be a cliche, but cliches are cliches for a reason, and it seems like both men took the time to really probe at the corners of their characters. This may have been especially hard to do for Thor, who starts off as something akin to a high school football hero making the most of his big fish, small pond status (right before being slapped with the reality of the real world that doesn't give a shit that he can throw a ball however many feet). There's almost no "there" there, and while that's sort of the point--Thor has a lot of growing up to do--Hemsworth still managed to find shades of uncertainty, even self-doubt in his character. In particular, minor spoiler ) One criticism I've heard is that Thor's maturity comes too fast. Indeed, it may--especially as regards the obligatory romantic subplot--but there's very little unnatural to it because you can pick up the threads that were woven, quite deftly and subtly, earlier in the movie. You have to be paying attention. For all that I admit to drooling over the man's body (oh how I drooled), I found myself most excited by his eyes. Hemsworth does a lot of emoting through significant gazes, and they are often just as sexy as the rest of him. (Oh so sexy. Holy God.)

Tom Hiddleston has a much richer part as Loki, and, as the antagonist, he should, really. Loki is a difficult character because, unlike some trickster archetypes, he doesn't really stand a chance of being misunderstood in a brainless bit of fiction. Loki is always the one you're going to suspect, and you'd be right to because he's probably doing something very naughty. Which is funny because most of what would have been Loki's mischievous ways starts off being only the hearsay of other characters. He's accused of having a "silver tongue" even though the worst you could say of him for most of the movie is that he has a politician's gift for extraditing himself--and others--from situations that might reflect poorly on him. For the most part, too, Hiddleston plays Loki as a straight-shooter with a sense of playfulness. An occasionally dangerous sense of playfulness, but not an unsympathetic one. He may even have been right to pull the prank he does at the beginning, minor spoiler )

Loki is incredibly savvy, very observant, and very atypical in his antagonism. He is not malicious, not needlessly so, but he knows where to stick which pokers to stir the pot the best effect. All of the credit can be given to Hiddleston for that, as far as I'm concerned. Looking at trivia about the film on the IMDB, I read that Hiddleston put himself on a very strict diet so that he would physically have a very hungry, sharpish aspect. And, now I think of it, he absolutely did. So you have this aura of starving, ravenous ambition at the edges of a performance where Hiddleston is otherwise very open--his face seems completely honest (the better to fool you with, my dear). You can believe his every emotion to be sincere even as his actions scream of duplicity. It's really a nuanced bit of character writing enhanced by a phenomenally minimalist performance.

That there is even this much to say about performances is a testament to the effort to make something more of Thor than just about anyone could have expected. There's more X-Men 2 to this than there is, say, Iron Man, despite my liking both. Iron Man is a tad skimpy on the thoughtfulness at times in favor of action and humor. I think Thor manages to combine that with the consideration of causes and effects, especially as regards statecraft, and it comes out the better for it. In the end, will I want to rewatch Iron Man more often? Oh, probably, but that doesn't take away the fact that Thor achieved something here. Captain America, the bar has been raised.

(Also: ZOMG CHRIS HEMSWORTH IS SOOOOOOOOOOOOOOOOOOO HOT. I cannot overstate how entirely distracting that man is. All weekend, if I would let my mind drift it drifted to this. And I really like what's going on around them hips in this shot. Goddamn, boy. I maintain that if you are female and claim to be heterosexual and you don't think he's hot, you are lying. All the ladies were aflutter after the MAY MOVIE, and with good reason. Personally, much as I want to lick that rise of muscle just over his pants in that one shot, I was as much in love with the bee-ee-ee-youuu-tiful eyes he has. Because they are very pretty. Very, very, verily.)

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